Washington, DC, July 19, 2016 – DC based Jazz artist Aaron Myers has garnered attention from independent music professionals across the Globe. It was announced Tuesday July 19th, Myers is ranked the Number One artist on the Reverbnation Charts globally for all genres. This ranking places a Jazz artist at the top of the charts for this site.
“I woke up, checked my emails, and started on my daily promotion routine when I discovered I was number one…it totally made my day and makes me want to work even harder”, Myers said when asked about the news. Myers is the Resident artist at Mr. Henry’s Restaurant, launching pad for Roberta Flack, where he has a monthly featured show and co-hosts the Capitol Hill Jazz Jam alongside saxophonist Herb Scott.
Reverbnation is comprised of over 10.6 million music and entertainment professionals globally. Ranking systems are based upon several factors ranging from downloads, song plays, profile views, etc. Since 2006, Reverbnation has helped millions of emerging artists build their careers by connecting artists to venues, festivals, brands, publishers, labels and fans themselves. Reverbnation offers emerging artists from around the world access to the global music industry.
Myers is a constant on the DC Jazz scene. In 2015 & 2016 he was voted Best Singer by the Washington City Paper’s “Best of DC” Reader’s Poll, and was nominated for a WAMMIE (Washington Area Music Award) in 2013. Recently, Myers organized the DC Jazz Lobby, through which local musicians have introduced legislation to preserve, protect and promote Jazz in Washington DC. This legislation was introduced to the DC City Council Tuesday July 12th by Council Member Brianne Nadeau. He has released 3 albums, and been very active in the local community, sitting (and having sat on) on the board of directors for Crittenton Services of Greater Washington, OASIS Dance Company & CTE Vision Inc, all service and arts organizations. Myers also serves as Minister of Music for Covenant Baptist UCC, an open and affirming church located in Washington DC.
“I’m a country boy, raised in a sharecropping community, with people who encouraged my art the best they could, and still support and encourage me today. After making Washington DC my home, and being embraced by this community, I hope that I can use my art to bring attention and help to those who need it the most” said Myers. This Friday he will be hosting his annual birthday show at Mr. Henry’s at 8pm, inviting the public to come out and celebrate with him.
Aaron Myers performs a no-cover live Jazz show at the Mr. Henry’s Restaurant (601 Pennsylvania Ave SE, Washington DC.) every fourth Friday of the month from 8:00pm to 11:00pm, and co-hosts the Capitol Hill Jazz Jam every Wednesday at the same time and location.
Jazz Vocalist/Pianist Aaron Myers debuts at Touche Supper Club, continuing his Jazz quest here in the DMV. Myers served as the Resident Artist at the Black Fox Lounge in Washington DC boasting 5 years and 147 headliner shows at the venue before its closing December 31, 2014. Now, he debuts at a new venue in DC, reintroducing JAZZ to the U Street Corridor while also preparing to release his new album “The Lions Den.”
“Anytime a new venue opens in Washington (DC) and provides an artist space to express their art, I’m game!” said Myers. Touche Supper Club is located in the H Street Corridor, an area steeped in the history of supporting the arts in Washington DC. Since opening, it has created a great deal of buzz in the arts community, not catering to only one form or genre of art, but to many different forms and genres. “Washingtonians should do their best to support any venue that is providing space to artists. The artists of Washington DC are often on the forefront of change and often time provide a voice for the disenfranchised!”
This will not be the first show played by Aaron Myers in the H Street Corridor. “I played a show a few years ago with a singer at HR-57 and was shocked with all the passers by who heard the music and came in. I do hope that energy will continue in that area” HR-57 served the Jazz community for 21 years and was named after H.Con.Res 57 which designated Jazz as “a rare and valuable national American treasure”.
Aaron Myers & Co will play Saturday March 28th at 7pm (doors open at 6pm) with a $20 cover. Touche Supper Club is located at 1123 H Street NE.
Aaron Myers has performed to audiences in Washington DC for the last six years. Voted runner up for “Best Singer” & “Best Performance Artist” in the Washington City Paper’s “Best Of DC” readers poll, Myers has been heard in Embassies, Night Clubs, Festivals, and Fundraisers. Myers became a DC Staple as the Resident Artist at the Black Fox Lounge (a total of 147 headliner shows) and is now showing the public his other artistic side. A native Texan, Myers decided to make Washington DC his home 6 years ago.
“I love screenwriting” stated Myers. “I wrote my first pilot TV show when I was 13 years old. It was was a situation comedy that I wanted to star three couples. Jack Lemmon married to Shirley MacLaine, Walter Matthau married to Betty White, and Ossie Davis married to Ruby Dee. I wish that it could have been produced, I’m sure it would have been an awesome show!”
Now, Myers is currently filming a new feature documentary with emerging cinematographer Jazmine Kiante called “Cab Fare” profiling Taxi Drivers in Washington DC who have been driving more than forty years. Filming began in January and is already crating buzz in the city with appearances from national lawmakers, city officials and people on the street.
Friday, it was announced that the script for his second feature film “Paths at Sunset” with writing partner Scott Sedar has now been completed and is now ramping up for production. “This film tells an unorthodox love story of a couple who is approaching the sunset of their lives. Let me just say, life isn’t over after 60…at all!”
Below, find more information about this DC artist and his upcoming productions.
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“THE LION’S DEN” ALBUM – PRE-PRODUCTION
This is the Sophomore Album of Aaron Myers slated to be released in June of 2015. This album is a combination of Jazz & Neo Soul while paying homage to Jazz legends and contemporary innovations.
“CAB FARE” 2015 – FILMING
Follow the stories of Washington DC Taxi Cab Drivers as they tell the story of an evolving city through the eyes of the ones who know it best. Hear touching stories from DC Cab Drivers, Riders, Politicians & Celebrities while seeing the evolution of a city from behind the wheel of a DC Taxi Cab.
“PATHS AT SUNSET” – SCRIPT COMPLETED
Helen Ware has just been given shocking news that changes her outlook on Love, Life and relationship forever. See how she’s forced to accept her new reality and how she embarks on a journey of love that is quite unorthodox.
“UPON A RIVERS END” – SCRIPT COMPLETED
Life in the Antebellum South is filled with heroic tales of freedom. See the tale of a freedman as he travels to one of the most brutal plantations in Louisiana to bring its slaves to freedom.
“HALF NOTE” – TV PILOT – SCRIPT COMPLETED
Ready for Pitch Aaron Brass is an Entertainer who is on the brink of greatness…so he thinks. With the help of his colleagues, friends and girlfriend, Aaron experiences the pains of making art while trying to “B” in Show Business. Sit back and watch the crazy situations he endures to express his art!
Don’t you just love Facebook? A place where you can connect with your friends, share articles about issues you feel are important, vent about people or situations, Facebook has become integrated in the American culture just as talking pictures or color television. Whereas birth announcements, engagements, and weddings were first announced in the paper, instantly we can scroll through our timelines and be updated on the latest news within our communities and the lives of our friends. An even wider spectrum is uncovered as we can also see how we are connected to others. New acquaintances can be vetted by seeing what friends are shared mutually. As articles, statements or events are shared, comments are posted and it is that time one is able to see, at least to a degree, who your friends…call friend.
The latter possesses an interesting question to all people: How well do you know your friends? For years, relationships are built upon shared experiences, shared secrets, shared conversations, shared ideologies, and shared interests. Through the passage of time, the bond between individuals strengthens as the strands of these relationships are tested and tried. However, through Facebook (and other social media networks) one can see what happens after these shared experiences are over and individuals begin the same process with other individuals. Thus, one can see the thoughts, ideas, experiences and at times secrets shared by your “Friends of Friends.”
Have you ever had the experience of scrolling through your timeline and seeing a shared post, article, or video you did not expect to see posted from a friend? Perhaps, you shared a post yourself and was shocked by the reaction you received from your friends or “Friends of Friends.” Facebook has exposed the differences within relationships, whether religious, political, racial, ideological, or what have you, that had previously been hidden or politely ignored for the sake of pleasant company or conversation. What happens when you discover that your “Friend of a Friend” is a racist?
I’ve been faced with this many times. I am a proud Southerner (5th generation Texan), I’m a proud African American Man (My Great-Great Grand Parents were slaves), I am a proud Veteran (September 11th happened while I was in Basic Training) and I am a proud Progressive (Registered Democrat).
My upbringing has allowed me to have interface with people who believe, worship and vote differently from the way I do. Thinking back to my days in Kerens Elementary, I am often reminded of the words spoken daily by my kindergarten teacher, “Play nice and keep your hands and feet to yourselves.” I try daily to adopt this principle in my adult life, succeeding better some days rather than others, but for the most part, we all are forced to work with, interact with, and at times live with people who share opposing views. Everyday the art of compromise is seen on the bus, train, in traffic, on elevators, in work spaces, in church pews, in classrooms, in restaurants, in every place but congress it seems. The tension has become less evident in urban centers where a heavily populated group of diverse people are forced to interact with each other. The expansion of social media and the internet has made tensions less apparent in rural areas where diversity and necessary interaction between divers people may not be as frequent or optional.
What do you do when a difference of opinion crosses over to apparent hatred, bigotry or racism…by the “Friend of a Friend?” When is the relationship of the “Friend” taken into account? Where do you begin when analyzing the strength of the shared strands within your relationship? How do you resolve the inner turmoil, resentment and dissatisfaction? The What, When, Where and How have been presented to me on many occasions. Minorities and members of the majority are faced with these instances, and forced to self consciously react…often times reluctantly because of friendship. Who wants to lose a friend right?
The 21st century demands that we answer these questions out right.
Understanding what racism is, whether fueled by either hatred or bigotry, and acknowledging it when seen is a start. Black’s Law Dictionary defines racism as, “A set of policies that is exhibited by a person or persons toward a group of people of a different race. Often antagonistic and confronting. The assumption of lower intelligence and importance given to a person because of their racial characteristics.” Regardless of how “close” you may be with a friend, when you have been left feeling you have experienced racism, the safe space lies within yourself to express your discomfort and to know a racist does not own the right to feel “comfortable” when this mindset goes against the constitutional rights of the whole. One can even view it as utilitarianism…the greatest good for the greatest number. In this case, that good is equality, and that number is America.
When is the relationship of the friend taken into account? Immediately. As the strands within a relationship are tested, one must meet each test head on. One strand does not have to end a relationship, but it can certainly define a relationship. Relationships, friendships, are based upon boundaries. These boundaries are also where you can test the strength of these strands. If you make your boundaries known, the way those boundaries are respected then can define the future of that relationship.
The hardest part of these interactions come when one is faced with the inner turmoil of experiencing racism through a different medium, from a person with a reference. We choose our music, jobs, food, health regiments often times at the recommendation of a friend. Friends have introduced friends that resulted in marriage while others often ask for a reference when applying for a job. Social media and the connections of mutual friends have played an important role in making the world smaller, more connected, and in many ways more enlightened. Understanding no two relationships are alike, one often expects that the bond and strands shared between an individual would be commonly shared with others, and although different, never crossing the line of racism, bigotry or hate. Unfortunately, this age old dilemma has plagued mankind for ages.
No one wants to lose a friend, but in the course of friendship, one must never lose oneself. Martin Luther King, Jr. said it best I believe, “The ultimate tragedy is not the oppression and cruelty by the bad people but the silence over that by the good people.”
Above was an example of a statement made to me by a “Friend of a Friend” that was followed by many other hateful attacks. I stated my discomfort, set my boundaries, my Friend removed those attacking racist posts, and reaffirmed my belief that friends do not have to agree on everything (especially politics) but can definitely agree racism and hatred have no place within our boundaries of friendship.
Just weeks after closing down the Black Fox Lounge in Washington DC, Jazz Vocalist/Pianist Aaron Myers debuts at Bethesda Blues & Jazz with his new touring band continuing his jazz quest here in the DMV. Myers served as the Resident Artist at the Black Fox Lounge in Washington boasting 5 years and 147 headliner shows at the venue before its closing December 31, 2014. Now, he starts off the new chapter in his career with this upcoming show and work on his new album “The Lions Den”.
“I am excited to display my art in a beautiful venue where so many have played before” said Myers. Bethesda Blues and Jazz Supper Club is housed in the beautifully restored Art Deco Bethesda Theater built in 1938. Since opening, it has become the regions #1 Live Supper Club. “I’m now writing a new chapter in my career, and believe me, this is only the beginning!”.
This will be the first show played by Aaron Myers since the end of his residency. “Expect some great Jazz, soulful Blues and a touch of Comedy. I plan on doing some old favorites, and to also give a tribute to Andrae Crouch during the show. He was and is one of my biggest influences.” Andrae Crouch, a gospel singer/songwriter/producer, responsible for revolutionizing the way Gospel Music is interpreted passed away January 8th.
Aaron Myers & Co will play Thursday January 15th at 7:30pm with a $10 cover. Doors open at 5:30pm. Bethesda Blues and Jazz Supper Club is located at 7719 Wisconsin Avenue NW. Walking distance from Bethesda Metro stop.
Depression is real. As an artist, I live with it every day, and the operative word is “live.” It is not easy, and at times it seems as if I have no problems with the struggle. There are times when I feel on top of the world…for a moment. Then a tunnel surrounds me blocking out any affection or caring word I’ve ever heard from anyone else in my life. It becomes me at my most isolated, not selfish, state where although people are surrounding me, they have been blocked from my vision.
I remember hitting the bottom. It was during lunch hour on a Thursday. Homesick, pressured by the feeling of being inadequate, financial pressures and an overwhelming sense of anxiety had pushed me to my breaking point. As I wondered on foot in downtown LA, I walked across an overpass and stopped at its peak. I walked to the edge and grabbed the rail with my hands and watched hundreds of cars pass below. I stood their frozen.
A short period of discomfort followed by an eternal rest seemed more appealing than the inner turmoil I was experiencing, moreover it was becoming like the right answer. The sound of each car that passed below seemed to lull me deeper and deeper into a dark inner tunnel where death appeared to be the only solution.
Hearing people passing behind me did not distract me and no one seemed to stop. Maybe to them I did not appear to pose any danger, which as an entertainer, I was, and am, use to. Making people smile and feel at ease while one is dying inside becomes a habit, and even a type of medication. When I, and other artists, am on stage everything is ok. There is no drug on the market that can compare to the gratifying feeling of a loving audience. The show ends, people leave, they cut off the lights, and the artist is left alone.
As I became conscious of my breath, I felt the wind and began to smell the exhaust of the cars and slowly backed away from the edge. I was lucky, but there are others who are not.
The death of Robin Williams, just as the death of others also involved in the arts, resonates with me in a personal way. It takes a special person to channel all of the good in oneself to cheer or brighten someone else’s day while inside it seems like things are crumbling. He was an inspiration to me and will continue to inspire many more to come.
Depression is not a “state of mind’ or a temporary “feeling”, it is an ever present disease. If you, or someone you know, are coping with depression, seek help, encourage them to seek help, and do all you can to send as much positive energy and prayers their way.
Again, I was lucky that time. I am aware that there maybe a time in the future where I may not be so lucky. That awareness is the daily burden I, and others in my position, carry. Depression is real.
Anytime I see these words, without the added parentheses, starting off an opinion editorial, immediately I am reminded that our forefathers/mothers fought for the freedom of speech. It is also my opinion that in there fighting, they would hope the generations that followed them would strive with even more ferver to have responsibility with this right. Alas, I read the words chosen by Mr. Moyers as he begins a diatribe against a genre of music drenched in self expression…and I drop my head in shame.
The first Jazz album I heard came by accident. While rummaging through some records at the home of my Grandparents, I stumbled upon a record that seemed different from the others. It was thicker, visibly older, worn, and on one side simply read, “Gut Bucket Blues” Little did I know, the sounds that I heard would evoke such emotion 70 years after it was first recorded, and leave such an impression on a 12 year old boy.
Since then my love of Louis Armstrong, Duke Ellington, Jelly Roll Morton, Eubie Blake, Jack Teagrden has not only evolved, but aided me in my appreciation of musicians like Wynton Marsalis, Esperanza Spalding, Kris Bowers and Allyn Johnson. Each person represents a snapshot of an era, and through their individual expression, a timeless, ageless story is told that transcends words and in some moments, demands change.
Jazz allows a story to be told in different forms
As a southerner, I appreciate a good story. Some of the greatest stories I remember hearing were told over the Sunday dinner table. Waiting in anticipation of a punch-line or a climax in a tale I had heard countless times from my Grandparents is still one of my fondest memories. With that said, some of my soberest memories come from hearing the same tales, told by a family friend, my mother, or even when passing on the tale to other family members and friends for the first time. Humans are unique, and even reading stories from a printed text, our voices, inflections, and tones differ adding a different flavor to the text. Thus is Jazz.
How awesome it is to have heard Louis Armstrong’s version of “Stardust”! You hear as he takes his trumpet and paints a picture for you with only tones from his instrument. How equally touching is it to hear Mel Torme sing the lyrics of Stardust, in his twilight years, written by Hoagy Carmichael, some 60 years earlier. Jazz gave freedom to artists of all genres to not be afraid to add their “flavor” to a song, not taking away any substance or meaning from the composer/lyricist. If you don’t believe me, ask Aretha Franklin about her cover of “Respect” or Nikki Minaj about the work she put into her mixtapes.
I am so thankful that the history of man did not stop with the discovery of fire. With each generation, this concept was built upon. Likewise it is with music. When improvisation is captured, it allows other musicians to take one persons’ improvised expression, and to build upon it.
With improvisation, a new voice is given to the musician/composer to share his/her expression.
In the legal definition of “evolve” one finds that it also includes “preserving the good characteristics” and that change can be “random, generationally slow, good, bad or deadly.” Evolution takes on different tones, in different times, to different people.
The expression of Jazz at one time was only regulated to speakeasies, gin joints, and back rooms. Then, only in Dance Halls. Festivals captured Jazz for a while, and then it stayed in school auditoriums or during special performances by Jazz originators. Now you find Jazz, again, in small clubs and intimate venues, but this time with the invention of new instruments and tools to, again, express Jazz in a different or an “evolved” manor.
There were 8 recorded lynchings, not sure if there were others undocumented, in 1937 when the poem “Strange Fruit” was written. When Billie Holiday recorded this with added music to the poem, the number of lynches had decreased to 3, but this terrible act was now introduced through the expression of Jazz to the world. The honesty of the pain, disappointment and fear Holiday felt towards her country due to its lack of inaction and the continuation of the practice of lynching was, and is, overwhelming. Her 1939 recording of this, in time, became her biggest selling record.
This courage has been adopted by other artists to use Jazz to speak up, out, and against injustice of people throughout the world. “Mushy” is not the first or last word that comes to mind when I, and many others, try to describe Jazz.
5. Jazz is Re-emerging and Local
When I moved to Washington DC in 2008 I was surprised at the classic venues located here in the district that offered Jazz. More venues have now opened their doors to Jazz. The Capitol Jazz Festival now offers “Jazz in the Hood” showcasing the hundreds of local Jazz musicians in the District of Columbia. You will find new festivals starting up every year across the country, and globe, to also showcase the growing number of jazz musicians, that bring with them the influence of their time along with new technology.
Trends have been adopted and thrown away. In the future we will view the fads and technology of today as we now view leisure suits, hoop-skirts, and the “View-Master”. Jazz has not and shows no sign of being dead or on life support. To borrow from Mark Twain, Rumors of its demise has been greatly exaggerated!
If you do not believe me, walk into a local restaurant or small venue and ask for their live music schedule. You will be surprised just how “alive” Jazz is, and will continue to be!
It is not often I run across a post on Facebook, or other social networks, that really captures my attention. Today was a much different story! As I scrolled through my newsfeed, I came across a post that not only captured my attention, but held my attention. The story of self truth realized through a tough experience. Letting his friends and followers into a personal journey that may be embarrassing for some to discuss, Actor, Best Selling Auther and founder of Natoni CosmeticsAnttoni Lopez shares the story of his personal relationship…and its end.
1 year married 2 years Divorced
By Anttoni Lopez
1 year married 2 years Divorced Written by Anttoni Lopez As I held the divorce papers in my hand all I could say was Did I fail? Did I try enough? Was it me? What happen? These are the questions I ask myself still till this day. This pain is a pain I never felt before. A feeling like your locked in a room and there is no way out. We started off dating March of 2011 I remember that day because that was the day you made your self known. You looked so handsome in your outfit and everytime I looked over my shoulder you was there. We didn’t exchange numbers that night, but I knew I would see you again.
Two weeks later we met at a mutual friends gathering and we hit it off. We talked for hours and forget everyone was there. We didn’t care because at that point we knew it was gonna be us. Before I left you that night you said to me “You know I’m going to marry you?” I laughed and said yea ok. By the 3rd week of March 2011 we officially became a couple. For the next 6 months everything was good and then we were selected to get married on the day the Same-Sex marriage bill was passed here in New York 7-24-11.
That day changed my life forever. All I ever dreamed about was being married, having a great career, and having my very own family. That changed! We would argue about anything and everything. At times it was just to much. Then 1 year later we had a big fall out and he packed his bags and moved out of our apartment. I was stuck and lost. I mean there was no cheating or lies on my part so why leave? For the next 4 months I tried everything and anything to win him back. I went to counseling and even tried to get marriage counseling for the both of us and it didn’t work. We went to one session and you told me I can’t do this no more.
I cried for so long because my life was falling apart. My career wasn’t going anywhere, my money was running low, my marriage was over, I lost friends I mean I didn’t have anyone. All I could do was turn to GOD and pray. What made it worst was that he was doing interviews and writing about me and our marriage calling it toxic and poisonous and I never mentioned anything about our marriage until now. I had to read all this from the man I say I do to and that made me feel like shit. It took me until March of 2014 to file for the divorce. I had to make the choice for me and my life.
The email I got from you after you got summoned for court was priceless. The part that hit me was this “THANK YOU for finally taking an initiative to resolve this broken union. I will be handling expeditiously. I am happy to be able to finally move on with my personal life and dedicate time to the person who has been by my side through this meandering transition of severing ties with you. If not for you, I would not have found my new relationship and real anchor in this journey of life.” Damn so you are still married and in a committed relationship? Sounds to me like adultery! Doesn’t it?
“I am very happy for you and your new found love” was what I said and it will be easier now for you to sign the divorce papers and for us to move on. In the past 2 years I have launched my own cosmetics line called Na~Toni cosmetics, I am working on my second book, and have been cast for some upcoming new films and projects, booking more photo shoots and fashion shows. Life couldn’t be better and I thank you for leaving me because I found a new me. All it took was 1 year of marriage and 2 years divorce for me to open my eyes.
What an amazing admission of self truth! I do hope you too will find strength in this personal story shared with us. It goes to prove that time stops for no person, and you determine what will be made of the time we all have left.
To learn more about Anttoni Lopez find him on Instagram @Anttoni_lopez / Twitter @Anttonilopez / Facebook Anttoni Lopez – Www.natonicosmetics.com
It was confirmed this morning that Aaron Myers will be sharing the stage with Singer/Songwriter Maureen Mullaney at the Black Fox Lounge Friday night January 27th. Both, while being long time staples at the venue, have always dropped by and teased audiences at each others shows with their energy, playfulness and talent. For a rare treat, they will finally join their musical efforts in a single performance that will no doubt electrify their audience.
Check out the Black Fox Lounge (1723 Connecticut Ave NW) Friday January 27 from 9:30pm – 12:30am for a Free Live Jazz Concert given by two staples in the DC Jazz Scene, Maureen Mullaney and Aaron Myers!
Washington, D.C.~ Aaron Myers is set to kick off the official countdown to Jimi Hendrix’ Birthday, November 27,2011, and the official launch of the most unprecedented music release of the year involving legendary guitarist, Jimi Hendrix. Myers is set to interview the Principals involved tomorrow, Friday, November 18th on his popular radio show, The Exchange.
After almost 40 years in the vault, a new single is set to be released of rock legend, Jimi Hendrix and the Ghetto Fighters™ entitled MOJO MAN. The single was produced by Jimi Hendrix, Arthur and Albert Allen (aka The Aleems – TaharQa and Tunde Ra Aleem), the 3 principals of Jimi Hendrix and the Ghetto Fighters. The music with an accompanying video will be made available globally on www.urbanstreettales.com, formed by the Aleem Brothers to bring this project to market.
The Aleems first met and began working with Jimi Hendrix in the mid 1960s and recorded, with Jimi, three of Hendrix’ albums: “Cry of Love,” “Rainbow Bridge” and “War Heroes” as The Ghetto Fighters.
“The Aleems are truly excited about their interview with Aaron on this sure to be historical release.”, says Belinda Foster, Publicist for the Aleems.
Aaron Myers is the host of The Exchange an on-line radio show that is designed to provide updates, inside scoops & information about the Entertainment Industry, where the political scene is dissected and examined, while discussion about life issues and matters of self-improvement take place.
Washington, DC, July 19, 2016 – DC based Jazz artist Aaron Myers has garnered attention from independent music professionals across the Globe. It was announced Tuesday July 19th, Myers is ranked the Number One artist on the Reverbnation Charts globally for all genres. This ranking places a Jazz artist at the top of the charts for this site.
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