DC Celebrates International Jazz Day with the DC Jazz Leadership & Service Awards

 

Washington, DC, April 25, 2017 –  The DC Jazz Lobby, a subset of the Capitol Hill Jazz Foundation, will celebrate International Jazz Day, Sunday April 30th, by honoring 6 individuals with a program held at Busboys and Poets, Takoma location, from 6pm – 8pm.  The DC Jazz Leadership & Service Awards will annually recognize individuals within the DC jazz Community who have worked to promote, support, and uplift members of the DC Jazz scene.

“Establishing an event that not only recognizes individuals that have worked to further the reach of Jazz in our community, but to help promote Jazz Appreciation Month and International Jazz Day is essential”, said Aaron Myers, organizer with the DC Jazz Lobby and board chairman of the Capitol Hill Jazz Foundation.  “With DC playing such a pivotal role in Jazz, I feel this is very appropriate.”

Jazz Appreciation Month was created in 2001 by John Edward Hasse, PhD, curator of the Smithsonian’s National Museum of American History.  Last year, DC City Council-member Laruby May introduced a resolution recognizing DC’s involvement in Jazz as well as the influence of Women in Jazz.  This year, a resolution was introduced by Council-member Robert White recognizing Jazz Appreciation Month, International Jazz Day while also recognizing the 100th birthday of Ella Fitzgerald.  “I introduced the Jazz Appreciation Month and International Jazz Day Ceremonial Recognition Resolution of 2017 to recognize the local musicians who have made great contributions to the art form.” said At-Large Council-member Robert White.   “It’s important to acknowledge the impact music and the arts have on our communities and on the molding of our young people.”

In November 2011, the United Nations Educational, Scientific Organization (UNESCO) officially designated April 30th as International Jazz Day in order to highlight jazz and its diplomatic role of uniting people in all corners of the Globe.  Last year, Washington DC was the host city for International Jazz Day with over 100 artists attending an event at the White House hosted by former President, Barack Obama.  With the creation of the DC Jazz Leadership & Service Awards, DC will annually have an annual set event that will be added to the roster of International Jazz Day activities worldwide.

This year, honorees will include: Nasar Abadey, Judith Korey, Dick Smith, Ellen Williams Carter, Dave Yarobough, and Sandra Butler Truesdale, with a ceremonial resolution being presented by Council-member Robert White. “I want to thank the DC Jazz Lobby and it founding members, as I am truly honored and privileged to receive this recognition at this point in my life.” said drummer and educator Nasar Abadey, who is a staple on the Jazz scene and mentor to many musicians.   “It also gives me great pleasure to share this acknowledgement with such a stellar group of Jazz Musicians, Aficionados and Activists who celebrate the legacy of this great music.  This commendation also coincides with my 70th Birthday this year, and 50+ years of paying tribute to this exceptional American Art form, as a professional performing artist.”

Over the last year, there has been an up tic in activism from members of the creative community in DC as performers and presenters work with the District Government to ensure spaces remain open and that contributions from creatives are included in the creative economy.  Both last year and this year, legislation has been introduced to address and remedy concerns identified by these efforts.

“The DC Jazz Community owes a great deal of gratitude to these awardees for their service.” said Herbert Scott, Jazz saxophonist and Executive Director of the Capitol Hill Jazz Foundation.  “This event demonstrates the storied legacy of the men and women that are working to keep the DC Jazz Scene vibrant.”

 

 (DC Jazz Leadership & Service Awards/ Sunday April 30th / 6pm – 8pm / Busboys and Poets – Takoma is located at 235 Carrol St NW, Washington, DC 20012.  This event is free admission and open to the public.)

Jazz Vocalist Aaron Myers Releases New Album “The Lion’s Den”

Washington, District of Columbia September 16th — After months of preparation and recording, Jazz Vocalist Aaron Myers announces the release of his new album “The Lion’s Den” that will be released October 2nd.  Digital copies are already being pre-ordered on Amazon, with the option to pre-order on iTunes and GooglePlay being available within the next week.

“Completing this album has not been an easy task!” said Myers, “But the product is something I’m proud of and displays the true collaboration between genres.”  “The Lion’s Den” offers everything from the song “Black Lives Matter” dedicated to the activists of today to a touching tribute to his grandmother Velma Sanders on the last track of the album.

Myers took a path that many independent artists are taking, he supported this project through the Crowdfunding site GoFundMe.  Crowdfunding is the practice of raising small amounts of money from large numbers of people, typically via the internet.  “I was told not to bother trying to crowdfund for a Jazz album because there was not enough support for the genre, so the pressure was really on!”  Exceeding his goal of $3500, Myers used the money to help complete his project at House Studio DC. House Studio engineer Jake “Vicious” Grotticelli stated, “Aaron Myers is an enigmatic entertainer.  From his writing, to his singing, to his playing and arranging, Aaron really took this project somewhere special.  It is an amazing project, and I was honored to be involved in a small piece.  It’s the kind of album where you will hear something new and great each time you listen.”

“Most people try to stay in their lane either musically, financially, personally, whatever it is.  That’s their comfort zone.” said Percy White, bassist on the project.  “When I asked Aaron about venturing out of his lane, he said you don’t have to stay in your lane when you own the road.  I believe he will own whatever road he goes down.  He is my friend and I will be right there with him…enjoying the ride whether he owns the road or is simply passing through.”  Myers honed is craft in the church growing up in Goodlow, Texas, a town of only 312 people at the time.  He took his love for music with him as he entered the Army and then on to Los Angeles, where he started working in entertainment.

Teaming up with other area musicians, Myers reached across genre boundaries tagging noted soprano Aundi Marie Moore and rapper Pacman Slim to join him for his rendition of “I Can Recall” or “Spain” known instrumentally by others.  “The Album is an experience waiting to happen from beginning to end” said Pacman Slim.  “Aaron Myers is a fantastic artist and it’s truly an honor to be apart of this project” said Moore.  Washington’s own Herb Scott, noted Saxophonist and founder of the Capitol Hill Jazz Jam whose featured on the project stated, “Aaron’s music is deeply rooted in the soulful gospel tradition that is the backbone of jazz and that’s why I like working with him.  He’s so warm and inviting, just like his music.

“When you’re working with musicians you like, fun is only the beginning.  Anything else that follows is pure magic” stated Myers.  “The Lion’s Den” is set to be released digitally October 2nd on iTunes, Amazon, GooglePlay and other music streaming sites.  Physical copies will be available in locations specified by his website.

Aaron Myers, known as the “Class Act,” is a native Texan who relocated to DC 7 years ago, and has made DC his home now serving as the Resident Artist at the legendary Mr. Henry’s and Minister of Music at Covenant Baptist UCC. Through his partnerships with charities, businesses, and politics, Myers has made an impression on the District that merges art with activism.  Visit his website at www.aaron2.me for more information.

“The Lion’s Den” releases 10/2: Mr. Henry’s 9/25 8pm No Cover w/ pre-release CD’s available.

Personal or Political: Specter Jumps Ship!

 

Democratic Senator: Arlen Specter

It was an exciting time as the crowd grew at the Auditorium Theatre in Chicago.  A steady stream of loyal followers flowed from the Chicago Coliseum to the Auditorium Theatre, waiting for their leader and former President to take the stage.  Republican Primaries have posed challenges for Republican Candidates since its inception in 1912.  Theodore Roosevelt, feeling like the more qualified candidate and best spokesperson for the party, beat both of his challengers 9-2 out right in the primaries of 1912, and naturally felt as if he would be undergoing the best exercise of his life; Running For Office!

Amazingly Roosevelt’s run for office did not go as he originally planned, and as he dawned the stage to address those delegates he found so faithful, these precious words articulated the true task he felt was forgotten by the Republican Party, “To destroy this invisible Government, to dissolve the unholy alliances between corrupt business and corrupt politics is the first task of the statesmanship of the day.”  After this platform was adopted, he went out on the campaign trail, and even after a “would be” assassin’s bullet, struck and lodged in his chest, Teddy Roosevelt stated, “I don’t know whether you fully understand that I have just been shot; but it takes more than that to kill a Bull Moose.” 

As Arlen Specter stood addressing the cameras, the 29year Senator spoke with the same vigor as a wounded politician of old.   “Since my election in 1980, as part of the Reagan Big Tent, the Republican Party has moved far to the right. Last year, more than 200,000 Republicans in Pennsylvania changed their registration to become Democrats. I now find my political philosophy more in line with Democrats than Republicans.” Specter stated, and not a moment too soon!  As he left his office to dawn the capitol, constituents met the Republican Senator not with torches and pitchforks outside his office, but with warm greetings, cheers and applause.  Specter had found his audience…the people he was sent to represent!

Changing parties in the United States Senate is not a new phenomenon, nor is it an explainable action.  One must believe, that the Senator who’s made his choice, has spent long hours in deep deliberation with his own being, before jumping off of the Titanic and onto the Carpathia. 

If you watched any news station today, you would have thought that this was the first time a Senator left the Republican Party.  Playing it down, most Republican Pundits and Strategists stated, “They saw it coming” and that “He was doing this to save his own political career”.  Regardless of his reasoning, the Republican Party has had a strong history of its elected members parting ways.  Below is a list of Senators who have taken the same leap of faith that Arlen Specter took today:

• Miles Poindexter of Washington. Republican to Progressive in 1913 and back to Republican in 1915.
• Robert M. La Follette, Sr. of Wisconsin. Republican, ran as Progressive for President in 1924.
• Robert M. La Follette, Jr. of Wisconsin. Republican to Progressive in 1935.
• George W. Norris of Nebraska. Republican to Independent in 1937.
• Henrik Shipstead of Minnesota. Farmer-Labor to Republican in 1941.
• Wayne Morse of Oregon. Republican to Independent in 1953 and to Democrat in 1955.
• Strom Thurmond of South Carolina. Independent Democrat to Democrat in 1956 and then to Republican in 1964.
• Harry F. Byrd, Jr. of Virginia. Democrat to Independent in 1971.
• Richard Shelby of Alabama. Democrat to Republican in 1994.
• Ben Nighthorse Campbell of Colorado. Democrat to Republican in 1995.
• Bob Smith of New Hampshire. Republican to Independent in 1999, and back to Republican in 1999.
• James Jeffords of Vermont. Republican to Independent in 2001.

Out of 12 Senators that have switched parties within the last 100 years, 7 of them (at some point) left the Republican Party.  This pattern points toward two factors that both Republicans and Democrats should be aware of.  

a. The Republican Party is capable of driving away its members and delegates!

Since 1938, only 10 identifiable years could Republican’s (versus 27 years for Democrats) boast that they controlled a majority of the States Legislatures in the US.  This is a clear reflection of the Republican Party’s inability to articulate its strengths and/or beliefs to the constituents back home in their states and districts.  Because of this weakness, former Representatives (in both the House and the Senate) have had to switch their party affiliations to correlate with the mindset of the people they represent.  One must remember, Washingtonians do not elect Senators, only states and districts have that power; and an elected official is only a reflection of those he represents in those districts and states.  

b. Republicans have a way of bouncing back!

We must remember that the last time Democrats were in a position to have a “Filibuster Proof” Senate; the political atmosphere was very similar to the one we are living in now.  Ford had just lost the election to the Fresh, Un-Tarnished, Governor who had not been corrupted by Washington Politics…Jimmy Carter!  Over those next few years, bipartisan efforts ceased to exist, inflaming the Right!  It was during this period the “Moral Majority” saw its emergence on the scene, and Reagan Democrats were born, costing Democrats the Majority.  

Regardless of whether Specter just wanted to secure, in his mind, a viable race for the Senate seat he’s held for 29 years, or if the Republican party has moved so far right, it pushed Specter off the boat, the fact remains that partisan politics distracted the American people and its leaders from tackling problems such as:  Affordable Health Care, Lowering Poverty Levels, Equal Rights for Women in the Workplace, and lastly…pushing legislation through that would properly fund research to cure AIDS and Cancer.  

Maybe our Founding Father had an accurate foresight of political parties, a warning that we might want to heed:

“However [political parties] may now and then answer popular ends, they are likely in the course of time and things, to become potent engines, by which cunning, ambitious, and unprincipled men will be enabled to subvert the power of the people and to usurp for themselves the reins of government, destroying afterwards the very engines which have lifted them to unjust dominion.”

George Washington: No Party Affiliation

GEORGE WASHINGTON, Farewell Address, Sep. 17, 1796

“Hey! We Looked You Over” and were inspired. Thanks Bea!

 

I was 10 years old when I came up with, what I thought at the time, a brilliant idea!  My sister and I had absolutely fallen in love with Lucille Ball, and we decided that if we loved her so much, why not meet her.  Running through the kitchen, I startled my mother; and with much excitement, I expressed my desire to meet Lucille Ball.  As I rambled on and on, mother simply took her seat and uttered those ill fated words that we all hate to hear,” I’m sorry hun, but Lucy has passed away.  She passed away a few years ago!”  What else could she do?  Those words, being so final, dashed the one desire that I had…to simply say thank you for making my day a little brighter.  

The years kept going by, any I began to write T.V. pilots for fun, and I developed a property called “The Good Life”.  Oh what a line up I had:  Shirley McClain married to Jack Lemmon, Ozzie Davis married to Ruby Dee (not too hard to picture), and Betty White married to Walter Mathau.  Three neighbors, who found themselves in many unthinkable situations, the classic “situation comedy” that was mainly character driven.  But, as the years went on, we lost Walter…and then Jack…and finally Ozzie.  Half the cast gone like that, without even a chance to meet them, learn from them, to express to them how they inspired and touched my life.  I simply tucked the pilot away, and soldiered on.  

Today as I went up the escalator at Union Station, a Reuter’s message alerted my phone that another great star had gone on to join the many players that had taken their final bows before…Bea Arthur.  Immediately, stunned & Jarred, I called friends and family alerting them that Bea had passed away.  Several people, who like me had never met Bea in person, stopped in their tracks, displayed their grief, and without much of a choice were forced to face a harsh reality…it’s final, and she’s gone.

Being a little older and more acquainted with death, I found myself earlier thinking of the “Maude” and “Mame”.  The out spoken characters she played that poked fun at the traditionalistic society we lived in and empowered women to speak out, appreciating their voices that had been muted and/or ignored for so long.  I thought…who else would have shaken the barrel, and displayed a character that contemplated abortion, and equal right for women?  Who else would have spoken proudly about divorce, and the insensitivity men of all races shared?  Who else but Bea, could embrace her sexuality, and demand we embrace it as well…and we did.  

She slipped away from us, ending a battle with cancer Saturday morning.  A part of me was upset, because in my mind no disease could lick Bea…no sir; there was no doubt in my mind that she could lick anything that came her way.  I was reminded of the strength her character Dorothy portrayed when being diagnosed with Chronic Fatigue Syndrome in “The Golden Girls”.  Relentlessly her character went from doctor to doctor, demanding a diagnosis and not settling for less.  Lighting the fire under her girlfriends, telling them that sexual harassment would not be tolerated, and that just because of their age, life did not nor would it stop.  No, Bea portrayed a character that had strength and spoke up for us in ways we were not yet prepared to articulate.  Thank you dear!

I wish I could have thanked her in person for one thing in particular that touched my heart so dearly.  

When Lucille Ball was honored by the Kennedy Center, Bea got the opportunity to say thank you and pay tribute in person to Lucy, and she did it well.  Although I was too young to understand what was going on, or that it even happened…I like to think, Bea kind of knew that there were many people out there who were speaking, dancing, and singing through her, to say thank you to another great entertainer.  Now, as she joins Lucy, I hope Bea can see just what impact she had on America, The World, and even Me.

See, I would have never persevered with my career, until I saw one of her interviews.  She spoke of how different and how her voice being low, height being tall did not fit the typical blueprint for women in show business at that time…but she kept going.  Having a strong southern accent, a love of more classical styles of music, and playing the piano, left me feeling out of place growing up, but she changed all of that, and for that I want to say thank you.

Thank you Bea, for being a Friend!

She Tugged Our Hearts